After a long delay, PETER has managed to publish his latest book "The Universe of PETER MAX", and I believe the only one in 11 years after the Big Book.
It's full of excellent images, not very good quality prints, and the usual history and quotes by the artist, which basically refreshes the memory of many who knows it by heart, and perhaps some young inquisitive mind (pretty scarce lately!).
All in all it's OK, and pretty much proves that besides the new marketing Branding by the Studio, PETER is the heart and soul of the Sixties and Seventies.
Saturday, November 23, 2013
Friday, October 11, 2013
Marilyn, Max and other 2013 considerations
Adam and Libra, Peter´s children are doing a great job revamping the studio and piggy backing on his name. It´s logical and practical. Now Peter can take a break and let them use the Warhol Foundation model. So there will be Peter max for at least another generation. Whoever has original canvases pre-2011, has the real deal... cherish them.
From their web site:
"The Foundation has used its ownership of the copyright to Warhol images
as an opportunity to craft creative and responsible licensing policies
that are friendly to scholars and artists wishing to use Warhol images
for educational and creative purposes, and profitable to the Foundation
when the images are used for commercial purposes. Revenues from
licensing agreements add significantly to those earned through the
continued sale of work from the Foundation’s remaining art collection,
enabling the Foundation to build the endowment from which it makes cash
grants to arts organizations around the country."
Fortunately, PETER MAX is still alive but probably at 75 years of age cannot sustain the prolific production of his early career. His children have boarded the Max Studio company in New York sometimes in the last 2 years, and with Peter's consent and signature, are probably doing creative projects such as the Marylin and others. This obviously leads to a basic confounding question , who is doing the hand painted canvases or the Mixed media at such a fast production pace?
To assure Provenance I suggest that MAX's items, especially expensive canvases, should be purchased in the presence of Peter himself (photo with him mandatory!) to prevent obtaining counterfeited and illegal copies. Not even authorized art galleries sometimes can guarantee the source of MAX's artwork and the original production of the piece, unless he's present and an image with the Artist and the artwork is accompanied, or a written validation of the Serial Number obtained DIRECTLY from the main office in New York, sometimes known as the Atelier or PETER MAX Studio . Certificates and invoices can be easily forged, therefore a direct response form Peter's office is recommended. Every important piece has a serial number in the back, and it must match the exact image on file. I have personal experience to share, you can send me an e-mail at themaxcollector@gmail.com
The MAX COLLECTOR.
Saturday, October 5, 2013
My
good friend Frank Llamozas gave me this uncommon PETER MAX collectible
item. A giant matches booklet (Used) from the NIRVANA restaurant in New York,
circa 1970. Already out of service, was located on the Rooftop of 30
Central Park South. I am sure Peter was a frequent guest at that
location.
Location across Central Park, New York.
Thursday, September 19, 2013
AN NICE NEW MAGAZINE ARTWORK: HILTON HEAD S.C.
I don't think PETER is doing any more artworks personally, but his studio is doing a great job under his (or his heirs) supervision, a bit like the Andy Warhol's Foundation.
This is The HILTON HEAD Magazine, September 2013 issue:
This is The HILTON HEAD Magazine, September 2013 issue:
Wednesday, May 15, 2013
Friday, April 26, 2013
A 1967 KICK BUTT POP GUITAR
Clapton’s
Fool started life as an SG. For many years, some speculated it was a ’61 SG/Les
Paul, but the proper view came to be that it is a ’64. A primary bit of
evidence is the pickguard, which has six screws as the later years’ pickguards
do, rather than the earlier five screws, as was standard on the ’61 SG/Les
Paul. In addition, it has patent-number pickups, not the earlier “Patent
Applied For” pickups Gibson ceased using circa 1962. The guitar was purportedly
originally owned by Beatle George Harrison, who gave it to Clapton circa ’65,
after Clapton’s ’59 Standard that he had been using in Cream was stolen.
In ’66, Cream was making plans to go to
the United States the following year – 1967 – the year of “the Summer of Love.”
Murray the K, the WOR-FM disk jockey in New York, was organizing a week-long,
never-to-be-seen-again, all-stars/all-hits revue. Cream knew its debut had to
have maximum impact on their new American audiences, so they enlisted the help
of a pair of then-obscure Dutch designers who later became an art group known
as The Fool, who were to play an important role, in rock and roll, and more
broadly, in the psychedelic culture of the late ’60s.
Video of Clapton describing the Gibson SG 64 Eric playing The Fool with The Fool Collective artwork:
The Fool began with two members, but eventually grew into a collective; its core members were Simon (a.k.a. Seemon) Posthuma, Marijke Koger, and eventually, Josje Leeger, Koger’s art-school friend. Others, particularly photographer Karl Ferris and Barry Finch, were also associated with the group. Posthuma and Koger, who met circa 1961 and a few years later began participating an “alternative” Amsterdam boutique called Trend, were living on the island of Ibiza (off the coast of Spain) before relocating to London in early ’66 with a grant from the Von Pallandt Foundation.
Eric
loaned the Guitar to "Jackie Lomax" a songwriter known mostly for the
song he wrote for Eric Burdon of "The Animals".
The song was covered by another great group "Grand
Funk Railroad" Grand Funk had the hit with it 10 years later
"Inside Lookin' Out". I'm not sure just how long Jackie had the
guitar in his possession but in 1972 he SOLD the
guitar to "Todd Rundgren" for an undisclosed sum of money.
( Eric never gave him the guitar he just loaned it to him).
Todd has
had the guitar for more than 28 years. He has used it on a lot of studio
tracks. Todd finally did sell it to an undisclosed collector.
Today, the original guitar is in possession of an undisclosed collector, nowhere to be seen. It's still a beauty and a solid example of the artworks that flourished during the Sixties:
FANTASTIC VIDEO CONTAINING "THE FOOL":
images by Karl Ferris circa 1967
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