Finally and rapidly, the new BREAKWAY cruiser was launched. Norwegian Cruiselines and the PETER MAX studio have created one of the most Iconic Artwork ever generated in such a huge format. I congratulate the MAX team and of course, PETER for having been the original mastermind of the Cosmic Era.
Wednesday, March 6, 2013
Thursday, February 28, 2013
PETER MAX COMPLETE SERIES OF 4 PORCELAIN PLAQUES
Finally managed to complete de series of 4 FRANKLIN MINT
1992 porcelain plaques.
____________________________
SET OF FOUR
FINE ART PLAQUE CRAFTED OF FINE PORCELAIN
____________________________
SET OF FOUR
FINE ART PLAQUE CRAFTED OF FINE PORCELAIN
LIMITED EDITION w/REMARQUE Includes Certificate of Authenticity From The FRANKLIN MINT
Artist: Peter Max
Year: circa 1992
Medium: Porcelain/Ceramic Plaque
Image Size: 10-1/2 inches x 7-1/2 inches
Frame Size: 16 inches x 14-1/2 inches
Artist: Peter Max
Year: circa 1992
Medium: Porcelain/Ceramic Plaque
Image Size: 10-1/2 inches x 7-1/2 inches
Frame Size: 16 inches x 14-1/2 inches
BLUSHING BEAUTY SUZIN
FAN DANCER BROWN LADY
Monday, February 25, 2013
1970 MANHATTAN PHONE BOOK, 1967 McCALLS MAG ARTWORK AND THE WOODSTOK SIGNED POSTER
Peter Max 1970 Manhattan area code 212 cover and reverse pages
The 1967 McCalls magazine with a special coverage on Pop Culture.
Peter's Artwork is amazing, and is a reflection of his early years of soul searching on different printing techniques.
Truly an amazing find.
HOME
Wednesday, January 23, 2013
Thursday, December 20, 2012
CANVASES MUST HAVE PROVENANCE
Depressed to know there are quite a few PETER MAX paint forgeries around. Since I like the artwork, I will stick to old prints and memorabilia though. I still have the idea of installing an exhibition eventually.
I believe my 40 x 40 inches LADY LIBERTY featured in this image with the Artist is not a forgery
Now I also found out that Certificate of origin did not exist until late Seventies, and that what counts is PROVENANCE, or plainly said: where was the piece purchased and the sales Invoice granted, although with some PETER MAX items , this seems to be a bit difficult to asses. I did purchase many Paintings from a MAX certified store and yet, I allegedly have some inexplicable issues with them.
So, I'll stick to old prints and Memorabilia. If anyone has had some kind of problems with their canvases, please contact me.
HOME
So, I'll stick to old prints and Memorabilia. If anyone has had some kind of problems with their canvases, please contact me.
HOME
Saturday, October 13, 2012
MAX HITS IT AGAIN! NORWEGIAN BREAKWAY
UPDATE:
NEW YORK -- Add cruise ships to the list of things decorated by pop artist Peter Max.
Norwegian Cruise Line CEO Kevin Sheehan on Thursday announced the company had commissioned Max to design the hull art for its next ship, the Norwegian Breakaway.
Speaking at a press conference at the Manhattan Cruise Terminal, Sheehan noted it was the first time the line had asked a well-known artist to create one of the designs that adorn the outside of its vessel.
"I am a huge fan of his work and know that the art he creates for Norwegian Breakaway will make the ship instantly recognizable," Sheehan said.
Max, a prolific illustrator who has painted everything from a Boeing 777 flying for Continental to a giant mural at the 2002 Winter Olympics, is preparing four options for the Norwegian Breakaway's exterior.
Norwegian on Thursday also announced that the 4,000-passenger Norwegian Breakaway would be based year-round in New York, becoming the largest cruise ship ever home ported in the city. Read more about Norwegian's announcement.
Currently under construction at a shipyard in Germany, the Norwegian Breakaway is scheduled to debut in May 2013. The ship was named by a USA TODAY reader in a contest held here at the Cruise Log this year.
Cruise Loggers, share your thoughts below.
USA TODAY, October 7th, 2011
Sample image of a finished artwork (not Peter's):
Friday, October 12, 2012
NORWEGIAN BREAKAWAY HULL FINALLY REVEALED
Norwegian Cruises and the Peter Max Studio, have finally revealed the future hull of the Breakaway cruise liner. After the Continental Airways 2000 livery artwork, this perhaps will be one of the largest designs produced by the Studio.The Max Collector extends it's best compliments to all the parties involved.
Credit: PARK WEST galleries
MIAMI, Fla. (Aug. 4, 2012) — Norwegian Cruise Line today revealed Norwegian Breakaway’s signature hull artwork designed by pop icon and America’s most popular living artist, Peter Max.
This is the first time Norwegian has commissioned a well-known artist
to paint the hull artwork on one of its ships. Launching in April 2013,
Norwegian Breakaway will be the largest ship to homeport in New York
City year-round. Max’s signature artwork will cover approximately 40,000
square feet of Norwegian Breakaway’s hull.
“While it has been an honor to have my art exhibited in museums and
galleries, I have also enjoyed creating giant ‘canvases’ for public
view, including my 600 ft. Woodstock stage, a giant World’s Fair mural,
the body of a Continental 777 super jet, and now, the hull of Norwegian
Breakaway,” said Peter Max from his New York studio.
“The artwork is a composite of New York City and cosmic imagery— the
Statue of Liberty, the Manhattan skyline, a giant sunburst, planets,
stars, and musical notes. That’s my New York! And now Norwegian
Breakaway is my New York cruise ship ‘canvas.’”
“Norwegian Breakaway is New York’s ship and this colorful artwork by Peter Max will make the ship an instant icon,” said Kevin Sheehan,
Norwegian Cruise Line’s chief executive officer. “The Big Apple is
known for its love of art and its many galleries – and now, Norwegian
Breakaway becomes a floating piece of art that will cruise in and dock
every Saturday on New York’s West Side. With this distinctive design,
unlike anything else on the water, the ship will be recognizable to the
millions of New Yorkers who will see her as she journeys up and down the
Hudson River each week.”
To learn more, visit www.breakaway.ncl.com._____
Park West Gallery has enjoyed a relationship with Peter Max since the 1970s, and is the artist’s largest and longest-running dealer in the world. Peter Max fine art is available at Park West Gallery cruise art auctions throughout the world or may be purchased through our gallery in Southfield, Michigan. Learn more at www.parkwestgallery.com.
Norwegian Breakaway, Norwegian Cruise Line’s newest 4,000-passenger Freestyle Cruising ship goes on sale on Monday, October 17, 2011. (For NCL past guests, reservations are now being accepted as of today).
Norwegian Breakaway will sail a seven-day Transatlantic cruise from Southampton , England to New York City on April 30, 2013. Rates on the Transatlantic are from $749 per person, double occupancy.
Once in New York , the ship will sail a series of 22 seven-day cruises to Bermuda beginning May 12 through October 6, 2013. Departing on Sundays, the ship will spend three full days on the beautiful island of Bermuda , along with three relaxing days at sea. Rates on the inaugural Bermuda sailings are from $1199 per person, double occupancy.
Currently under construction at Meyer Werft in Germany , Norwegian Breakaway will be 144,017 gross tons and is scheduled for delivery in April 2013. Norwegian Breakaway will make New York City her year-round home port, the largest ship ever to home port in the City. Legendary iconic pop artist Peter Max has been commissioned to paint the ship’s signature hull artwork.
FOR US BLUES LOVERS, PETER AND JOE BONAMASSA
NEWS for JOE and THE MAX STUDIO
The PETER MAX studio/Atelier brand has released a new lithograph series of 250 of JOE BONAMASSA. someone in the N.Y. office of the well known Cosmic artist of the Seventies is into the Blues.... good! And even better now that my copy is hanging on the wall.
http://jbstore.jbonamassa.com/collectibles/joe-to-the-max-joe-bonamassa-collectable-litho-8/
LITHO N. 8 series of 250
Joe's poster, the JB Gibson Les Paul and me.
PETER AND JOE 2010, and the Painted GIBSON Les Paul 1956
The PETER MAX studio/Atelier brand has released a new lithograph series of 250 of JOE BONAMASSA. someone in the N.Y. office of the well known Cosmic artist of the Seventies is into the Blues.... good! And even better now that my copy is hanging on the wall.
http://jbstore.jbonamassa.com/collectibles/joe-to-the-max-joe-bonamassa-collectable-litho-8/
And at a cool Gibson Forum, someone posted it, so I believe that either JOE sold it or someone took a picture of it at a concert:
I am no so sure I like this great GIBSON Les Paul to be intervened in such a way.
Thanks to MUZICOSPHERE and GUITARNOIZE
credits are all included
HOME
PETER MAX BIO - HOMAGE VERSION BY THE MAX COLLECTOR
PETER MAX, VERY SHORT BIO JUST TO SET THE TIME FRAME
BERLIN
1937
Born PETER MAX FINKLESTEIN in Berlin, Germany on October
19th, 1937, Peter's parents were JACOB, born in Poland and SALA in Germany.
The year before Peter was
born, The 1936 Berlin Summer Olympics
took place, also known as the Games
of the XI Olympiad, it was an international multi-sport event. Berlin won the bid to
host these Games in 1931, two years before the Nazis came to power and during
which events, the American Jesse Owens won four gold medals. His father Jacob was then a pearl merchant.
Stadium
of the XI Olimpiad games 1 Aug 1936 to 16 Aug 1936
credit:
http://timelines.com/photos/5cdb8d848bf56a3bb68e966f0abc0cd3 - Ted
Bedell
By 1936, Germany’s Jews and other minorities had been
stripped of their civil rights, even their citizenship, and the Nazi regime had
already opened its first concentration camps. An in this same city where Marsden Hartley had the inspiration for
his First World War "Elegies" in 1914 (project further enhanced by
Robert Indiana in 1991), a city that by
all standards of early XXth century was advanced and liberal, A
year later and for more than one obvious reason - including perhaps the
infamous pogrom and the series of attacks
against Jews throughout Nazi Germany as well as parts of
Austria on November 9–10, 1938 -, PETER's parents must have decided that to
remain in Germany being a Jewish family, would have been catastrophic so they moved to Shanghai, China. At the beginning, It was unclear
to me the motive of why many Jewish families of German
origin moved to Shanghai of all places,
in those crucial years of social unrest and political instability in the Teutonic country and part
of Europe. IN this book, I will provide more than usual information on these 10
years period of Peter because it came as a shock to me the whole meaning of
this abrupt change in the life of his family and himself, an although he was
very young, I am sure he eventually came to grasp this crude reality of what
his parents Sala and Jacob had to endure before finally reaching a full stable
and safe environment in America. Also, I
want to use this chapter as a humble recognition to all my Jewish friends, many
of whom I share personal close relationship such as Dr,William Abramovits in
Dallas Texas, Dr. Daniel Gelrud in Miami, Benjamin Grynbaum , Carlos Brender
and Roberto Cohen in Venezuela. To them,
a small token of appreciation for the meaning of the Hebrew nation endurance,
perseverance and important participation on the global progress of Civilization
as we know it.
SHANGHAI 1938 - 10 CRUCIAL YEARS IN THE LIFE
OF PETER MAX
When I started deepening my
knowledge on PETER's history, I wondered continuously why did a Jewish European
(Ashkenazi) family move to such a different environment as Shangai, and I
eventually found out the fundamental reason when I bumped into "the Ghosts
of Shangai" by Ron Gluckman http://www.gluckman.com/ShanghaiJewsChina.html,
and while reading
this excellent historic article, the enigmas was rapidly elucidated.
n his own words, Gluckman mentions, " A half century ago, they
inhabited an intriguing corner of China: Shanghai's boisterous Jewish ghetto.
Viennese gentlemen sipped coffee outside Austrian bakeries so authentic that
the neighborhood was called Little Vienna. Nearby were kosher butcher shops and
German delicatessens. Diners read Shanghai papers printed in German, Polish,
even Yiddish. Candles for Jewish holidays were sold nearby at Abraham's Dry
Goods, and the tango was danced nightly at Max Sperber's Silk Hat.
A
unique Jewish community once thrived in Shanghai, where Jews had worked since
the opening of China's largest treaty port in 1842. A century later, European
Jews fleeing Adolf Hitler poured into Shanghai where, even among the large
international settlements, they stood out, a distinct community with its own
hospitals, theaters, schools and sports leagues. Life wasn't always jolly, of
course. Jewish refugees were later herded into Hongkou ghetto in the city's
northeast, where food was scarce and disease rampant. But in Shanghai, unlike much
of the world, nearly all the Jews survived the war". (Plaque marking the borders of the
Jewish Ghetto, defined as Stateless Refugees).
Thomas Crampton of Social Media in China and across Asia,
also mentioned: " of The Municipal Council’s map, issued for visitors to
Shanghai in 1935, shows a city that had grown up in the previous 20 years — by
1935 the Bund was formed pretty much as we know it today and the International
Concession reached out past the race course, now People’s Square. One
interesting thing to note is that when supposed old hands in Shanghai tell you
Pudong was nothing but fields and farms when they came here, you’ll know they
are bullshitting —Pudong was a thriving factory area then around what is now
Lujiazui".
with
this accurate description of the Ghetto and its surroundings, it's easily
understandable the coherent option of Mr. and Mrs. Max of moving there before
risking small Peter's and their own lives.
They remained in Shanghai until 1947 and a year in Tibet, when again,
for political reasons and internal social unrest, they had to move.
1947 Map of Shanghai with the Jewish Ghetto highlighted
The Shanghai Jewish Community by Eli Braun
"Shanghai, a port city in the Kiangsu province in
Eastern China, opened to foreign trade in 1842. Subsequently, the city of
Shanghai absorbed many of the Ashkenazi
émigrés fleeing repression in Eastern Europe. Russian Jews fleeing persecution
and massacres under the Tsar also emigrated and built the Ohel Moishe Synagogue
in Shanghai in 1907. But the majority of the Shanghai Jewish population was Sephardim
from Baghdad, Bombay, and Cairo, including the wealthy families Sassoon,
Kadoorie, Hardoon, Ezra, Shamoon, and Baroukh. These families raised the Jewish
population of Shanghai to approximately 700, including 400 Sephardim, 250
Europeans, and 50 Americans. Most of them were merchants, although some were in
medicine, teaching, and diplomatic service.
Jews fleeing the Russian Revolution of 1917 further
increased the Jewish population and raised awareness for the Zionist
movement. Then in the 1930s and 40s, Jewish refugees from Germany
and German-occupied areas fleeing the Nazi
regime increased the Shanghai population to approximately 25,000. Lubavitch
Hasidim, as well
as remnants of the Mir and Slobodka Lithuanian yeshivot
(Jewish religious schools), found refuge in Shanghai, which became a frequent
destination because the free port did not require visas.
Between 1904 and 1939, three synagogues were built in
Shanghai, and 12 Jewish magazines in English, German, and Russian were
established and published there. A Hebrew newspaper was also published as early
as 1904. The leading magazine, Israel’s Messenger, was a Zionist monthly
founded in 1904 by N. E. B. Ezra and published until his death in 1936.
Japan
captured Shanghai in 1937 and closed it to further immigration in December
1941. They deported most of their Jews to the miserable Hongkew district of
Shanghai and kept them in unsanitary semi-internment camps under Japanese
occupation forces. The Shanghai Jews, including the transferred Japanese Jews,
suffered great economic and property loss during the war, after which, most
left to the United
States, Britain,
Israel,
Australia,
and other communities. Since 1948, 1,070 Jews from China have immigrated
to Israel, with 504 leaving between 1948 and 1951". (http://www.jewishvirtuallibrary.org/jsource/vjw/chinajews.html)
Jenna Vandenberg ( the
runningthroughthisworld.com ), so kindly provided me with the excerpt and image
of her visit to this unique Museum:
"I
LOVED this museum! It was only two rooms plus the synagogue, but I spent more
time here then at the entire Shanghai Museum. This was probably because I was
taking pictures of every artifact as I planning lessons (whole units, actually)
for my non-existent students. I am really going to miss teaching next year.
Unbeknownst
to me, as the rest of the world was shutting its doors to Jewish immigration
during the 1930’s Shanghai became one of the few places where fleeing Jews
could go. The Chinese explanation on this is that the Chinese people/government
is just that much more caring than the rest of the world. However, I suspect
that the lack of visa regulations and laws in Shanghai (which was an
international city at the time) might have a little do to with things as well.
Jewish refugees congregated near what is today the museum and built a life of
sorts in Shanghai. The museum houses many of their stories and artifacts.
Inside the synagogue is a database of the Jewish refugees and a continuously
running TV program (one hour long) about some of the Jews that have returned to
Shanghai for nostalgic purposes.
The Jewish
Refugees Museum and Synagogue entrance is 50 yuan. It is open daily from 9-5.
They have free tours every 45 minutes, which seemed a little unnecessary since
I was one of three patrons and everything was in English. The museum is at 62
Changyang Road. Take metro line 4 to the Dalian road station and head east for
about three blocks. You can check out Huoshan Park on your way there, also a
Jewish site. I didn’t linger due to the thunder, lightening, and rain pouring
sideways, but it looked nice".
Jenna's
accurate depiction of the historic environment surrounding the museum and the
people that participated in the creation of the moment, is very specific and
detailed. I am curious to know if PETER MAX has ever returned there.
According to
www.travelchina.com, today there are eight Jewish families in Kaifeng with the
Han people's surnames of Zhao, Ai, Li, Zhang, Shi, Jin and Gao. Each surname
has its own origin. For example, Ai came from Adam. Zhao was given by the
emperor of Song (The emperors of Song were surnamed Zhao.)
Shanghai Jewish Museum - image from
http://runningthroughthisworld.com
MORE
IMAGES by KEITH SUTTER: https://picasaweb.google.com/keith.sutter/Eddy?authuser=0&authkey=Gv1sRgCPzV5bOd4YKwaQ&feat=directlink
SHANGHAI GHETTO, the film
In 2002, Dana Janklowicz & Amir Mann, directed an
astounding film recreating the instances and life of this very dramatic period
of the life of many a Jewish family fleeing from Nazi Germany. The film was
brilliantly narrated by Martin Landau, and it recalls this true story of
thousands of European Jews who where denied entry authorization in more than
one country in the late 1930s, and ended in this uncommon Asian city under the
control of Japan at that time. Most probably it was not the perfect environment
for them and their families, but provided some sense of safety.
The
directors spent time in today's Shanghai Ghetto remains, provided many images
and interviewed survivors of this yet another example of the crudeness of the
persecution that the Jewish people had to endure during the Second World war.
This film is a crude narrative of the ordeal these Jewish families where
subject to, and probably, although not expressly mentioned in the film, the
MAXES were among them, since it is known that Peter's father did operate a
clothing business in the area. Obviously, the boy must have had a great
influence during these first 10 years of life, while being artistically
stimulated by Sala, his mother who provided the supplies and helped Peter to
explore the richness of the Asian culture, architecture and history.
The Shanghai Ghetto - DVD 2002 published by Rebel CHild Production
THE PAGODA MYTH OR REAL
INFLUENCE?
Part of the biography mentioned on www.aejv.com includes,
"He lived in
a pagoda style house situated amidst a Buddhist monastery, a Sikh temple and a
Viennese cafe.". Visonart.com mentions " Max’s rise to prominence as an American icon actually began in his
childhood home in Shanghai— a pagoda house, where on one side there was a
Buddhist monastery, and on the other, a Sikh temple. In the morning he would
watch the Buddhist monks painting Chinese characters on vast sheets of rice
paper with large bamboo brushes and at night, he would listen to the
beautifully sung prayers of the Sikhs".
In
more than one biography of PETER MAX, it is mentioned either that he lived in a
Pagoda during his Shanghai days, or that his home looked to one. According to
experts and regular visitors of that city, there were either no pagodas in the
Jewish Ghetto, or very few to be found (7) in all Shanghai, hence, this concept
could be a Public Relation's romantic creation to enhance Peter's mystic
origins or a mere mistake derived by so many years of biographies and
interviews.
The Longhua Pagoda is the
only remaining pre-modern pagoda in Shanghai city. It has an octagonal floor
layout. The size of the seven stories decreases from the bottom to the top. The
pagoda consists of a hollow, tube-like brick core surrounded by a wooden
staircase. On the outside, it is decorated with balconies, banisters, and
upturned eaves. These outer decorations have been reconstructed in keeping with
the original style (wikipedia.com).
·
For all interested on
PETER's younger years in Shanghai, the interview in the program Day and Night
is perhaps the most complete and interesting piece of historic review on
MAX. From CUNY TV in YOUTUBE: Taped: in 12/05/73. "CUNY TV is
proud to re-broadcast newly digitized episodes of DAY AT NIGHT, the popular
public television series hosted by the late James Day. Day was a true pioneer
of public television: co-founder of KQED in San Francisco, president of WNET
upon the merger of National Educational Television (NET) and television station
WNDT/Channel 13, and most recently, Chairman of the CUNY TV Advisory Board. The
series features fascinating interviews with notable cultural and political
figures conducted in the mid 1970's" ( http://www.youtube.com/watch?v=kdZJWV6eDFI ).
Mr. Day interviewed Peter for 28
minutes, and obtained very personal points of view of the life of Peter in the
very early SEVENTIES. I personally enjoyed very much a brief but concise
recount of his younger years in Shanghai, and curiously, PETER does not mention
the word Ghetto, and idealizes this Chinese city as the source of the genesis
of his creativity, mentioning also how he was picked up daily by a Rickshaw
that took him to school, and other details of his life that seem to be a bit
unreal if compared to the harsh life
that the Germans in some sort of exile lived during that decade. I will be
mentioning this extraordinary interview in many sections of this book.
SOURCES AND GRATITUDE FOR CONTENT TO THIS HOMAGE TO:
· http://:www.wikipedia.com
h http://www.greenaroundtheglobe.com/2010/06/03/shalom-in-shanghai/comment-page-1/#comment-1632h
·
Thanks to PAUL
ANGEL of Access Asia UK for providing me relevant information.
·
http://www.travelchinaguide.com/attraction/shanghai/jewish-refugees-museum.htm
·
Thanks to Jenna Vandenberg http://www.runningthroughthisworld.com
website
·
http://www.travelchinaguide.com/picture/shanghai/jewish-museum.htm
·
http://jewishwebindex.com/jewish_orient.htm search Jewish Orient
·
http://www.travelchinaguide.com/tour/jewish/03.htm
·
http://www.gluckman.com/ShanghaiJewsChina.html
·
http://www.villagevoice.com/
·
http://www.timelines.com
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