Tuesday, May 31, 2011

MY PETER MAX CUSTOMIZED STRAT

Ebay is a source for a variety of items, and this time I was lucky enough to get a Stratocaster pick guard personalized by PETER himself. There´s a little Beauty and an Umbrella man in black marker.


I even customized it a bit more by adding black tone and volume knobs and black Microphone protectors. Very uncommon in a Strat.


DANCE-TECHNO VIDEO with PETER MAX INFLUENCE

 
Ed Banger Records is happy to announce the release of BREAKBOT feat Irfane "Baby I'm Yours" video!
It was (directed) handmade by IRINA DAKEVA @ WIZZ
It is composed of approx 2000 images watercolor painted one after another (we say Aquarelle in french, way more sexy).

Tuesday, May 24, 2011

IMPRESSION OF A LANDSCAPE

New arrival: IMPRESSION OF A LANDSCAPE


The piece was authenticated  in 10/29/1989 by Cornell Gabos at the Renaissance Fine Arts in Ohio. Although I trust more my expertise on validating the handwriting and Peter's signature.

THANKS CAROL.

Monday, May 23, 2011

PROFILE OF A LADY

This gorgeous Lithograph Size 22 x 30 ins, the preferred size of professional serigraph papers. One of my personal best.

PROFILE OF A LADY, PETER MAX 1979



ZERO'S FRIEND 1980 Litho

From the same series of the ZERO man, the ZERO GEO, and others, comes this great lithograph of Peter MAX. Dated 1980, and series identification H/C. The ZERO's FRIEND is 27 x 21 ins, image only.








ROBERT INDIANA - another great American (POP?) artist

 ROBERT INDIANA - HARTLEY'S DIAMOND SHAPED ELEGIES  VI through X


Pop art icon Robert Indiana’s series of imposing serigraphs in homage to Modernist master Marsden Hartley (1877-1943) are at once commemorative and reflexive, intertwining the influences, identities, and attachments of two quintessential American painters. (Margery Gordon)
When Indiana embarked on the Hartley Elegies in 1989, he took as his starting point the “German Officer” series Hartley painted 75 years earlier at the outset of World War I during a Berlin-based period (see images below) , now viewed as a highpoint of his career (although American audiences at the time were not receptive to his subject matter). Hartley’s style was then influenced by German Expressionists like Vassily Kandinsky, and the Cubist compositions he had encountered at Gertrude Stein’s salons during a prior stay in Paris. 



     His abstract portraits eulogized Karl von Freyburg, the German soldier and object of Hartley’s affection who was killed in the early days of the war - not through figurative representation but rather the accretion of letters, numbers, geometric patterns, and military regalia that included the Iron Cross medal awarded to his beloved friend the day before his death.

 One of my Elegies, N. X, on site 

http://www.youtube.com/watch?v=Qrii3fNHBLM

THE COMPLETE 1997 BASEBALL COLLECTION

PETER MAX BASEBALL SERIES





BECKETT May 1997 cards magazine announcing the PETER MAX
serigraphed series of 10 players

Artist – Peter Max
Product – 1997 Topps Gallery
Seeded into packs of 1997 Topps Gallery, these Peter Max cards sell for considerably low prices by today’s standards. Of course, that’s for the regular versions. Topps also seeded hand-signed cards of Max, serial numbered to just 40 copies (link).



BARRY BONDS                      ALBERT BELLE

DEREK JETER
 



CARL RIEPKEN                           FRANK THOMAS

MIKE PIAZZA

 



   MARK McGUIRE                          CHIPPER JONES

KEN GRIFFEY JR

   


KEN CAMINITI (pending)




SPECIAL FAN CARD  ALEX RODRIGUEZ

Friday, April 22, 2011

THE PETER MAX CASE

WILL PETER MAX TRANSCEND TIME SUCH AS THE GREAT MASTERS?

     With this post,  I intend to clarify some questions that always lurk around my mind, and I am sharing them  with my visitors in order to obtain different points of view that might enlighten me.
  • How can a 74 year old artist from the Sixties, still generate so much business? Admirable.
  • Will his popularity increase, level or decrease when Baby Boomers fade away?
  • Will the next generations embrace his art?
  • Will he become another Warhol, Lichenstein, Robert Rauschenberg, Jasper Johns,etc,?
  • When he retires, will his pieces of art maintain, decrease or increase its price considering  his current Marketing strategy?
  • Is a collector of his items not allocating funds wisely or is he hanging to a Depreciation proof asset?
  • Why is his website not at par of his name (this I cannot understand!).
  • With so many Peter Max original canvases and Mixed Media Papers, on the market, can this continuous production sustain the current  price range or will prices fall eventually as a result of the market natural flow of offer and demand?
  • Should the MAX studio consider decreasing it's production in order to preserve MAX's health  and maintain the prices?. 
  • Finally: Is MAX a Pop artist, neo-expressionist, Fauvist, or a mixed media artist himself? 
     A few days ago I read that when a client in a gallery was asked why was he buying a PETER MAX piece, the answer was very blunt yet uplifting: " because his colors make me happy". They have the same effect on me, hence, this could reduce it all to buying MAX just for personal pleasure and not as a business opportunity.

      I for one, opines that his series lithographs between 1970 through 1979 are the best period of his creativity and technique.

The Max Collector.

Saturday, April 16, 2011

PETER MAX IN THE NEWS - Very exclusive

It's simply beyond comprehension how PETER has been able to be so important in the art world and for so long! these few news published in a variety of media papers is living proof.


Sarasota Journal, 1969

 South East Missourian, 1969

Sarasota Herald Tribune 1970

Harlan Daily Enterprise 1970

Saturday, April 9, 2011

THE CASE ISLAND MURAL

      A few days ago, I bumped into a Youtube video of this rare mural in Flint, Michigan. The concept was so interesting that I contacted Case Glass, and I wanted to post the spirit of the exact reply I received by Charlie Boike, one of the artists that did this superb Graffiti promoted to mural, and also son of Suellen J. Parker, owner of the company. Enjoy the text and watched the nice video Cahrlie and his buddies uploaded:

http://www.youtube.com/watch?v=CD3Ok85BnmA&feature=player_embedded


Dear Mr. (Max Collector),

      My name is Charles Boike, and I am the son of Suellen J. Parker of Case Island Glass. I am also one of the artists who completed the Peter Max mural. The mural is still up. It has become a local landmark where kids, families, and individuals can take head shots and photos using the mural as their backdrop.

Details of Production
The mural was commissioned by Case Island Glass (Suellen J.Parker) in late June of 2009. The first mural ideas included Andy Warhol's "Mohammad Ali" and "Jackie Kennedy", but Suellen picked Peter Max overall. The supplies cost $600, which bought five gallons of white primer, 80 cans of spray paint, gloves, towels, and a few other things. The mural was started on July 8 and finished on July 9. It was painted with in 48 hours by Kevin Burdick and myself. Kevin and I represent a modern art collective and production company called Deserving. While we where painting, people from the neighborhood would just stop and watch. ABC 12 news came on the scene and interviewed Kevin and I. They aired the interview a few times.


 
Credits to Include
Paid for by Case Island Glass
Picture is Gateway to the World by Peter Max  (my note: It's a LIBERTY HEAD)
Painted by Charles Boike and Kevin Burdick
Video shot, edited, and made by Charles Boike


 
Special Anecdote
When ABC 12 News came up and interviewed us we where super excited. We did not know how they heard about the mural. The camera man told us that some neighborhood lady called in to the station and was going off about how cool this mural was. She mentioned that the kids where painting it with spray paint and how positive it was for the community. I then called my mom to tell her about the news. She let me do my whole story and then she said, "Who do you think the neighborhood lady was?" I laughed and said it wasn't you was it? She said yes. I laughed again, and then Kevin and I said thanks for the media exposure.





PS: Thanks Charlie,  Eddy G.

Monday, March 21, 2011

A 200 YEAR YOUNG NATION HOMAGE BOOK


1976,  the year of the 200th anniversary of the founding of America, PETER MAX dedicates the book called "PETER MAX paints America" to his family and friends and to posterity.

This amazing book, has the character and feel of the real hardcover of the Seventies, heavy stock matte pages, decorated with semi-gloss unique images expressly made by PETER for this occasion, along with a few very exclusive personal black and white images that recall part of his life. Published by ACOROPOLIS BOOKS LTD at the Colortone Building in Washington DC, has the Library of Congress Catalog Number 76-10934 and for those loose bookworms, the ISBN 87491-042-0.

The book is based on works of art commissioned in  1976 by ASEA, the huge Swedish industrial company that in 1988 merged with another industrial colossus, Brown & Boveri to create ABB, and the book was "a sincere recognition of the historic bonds of friendship between the people of Sweden and the United States, recalling that Sweden was one of the first countries to extend its hand in friendship to the new nation".

In his introduction, Peter recall part of his past mostly spent travelling between his birth city, Berlin, and China part of Africa, Israel and finally ending in America. Since he was a small boy he always had a fascination for America, its music, the comic books and the films that had a collage of images mixed with experiences from ancient cultures and different styles of life. He then manifests his love for astronomy and what he called "different environs and fantasies of the future" and the privilege of living in what he defined as the Greatest time in history. He selected a specific theme for each of the fifty state, whereas he explains that "the purpose is to express an aspect or quality of each state in spontaneous and sometimes random imagery, rather than literal portrayal", very PETER MAX, I should add. 



The cover artwork, could not be more appropriate than by using George Washington famous image fully intervened by the artist, while the back cover contains one of the seven Border Murals that eventually received millions of visitors passing by the Canadian and Mexican Borders. This cover also mentions that the book is one of the first works that PETER did after his 1973 retreat, and concludes with a MAX quote: " What a beautiful world we may have in the year 2000 if we, here in America, utilized our incredible resources to benefit not only America, but all mankind".


Information complied from the book PETER MAX PAINTS AMERICA, 1976.

Monday, February 28, 2011

THE NEW ORIGINAL CANVAS COLLECTION 2011

Just arrived the new acrylic on canvas original 
paintings by Peter Max.



FRIENDS  30 x 40 


HEART  30 x 40


 LIBERTY HEAD  30 x 40


LOVE  30 x 40


UMBRELLA MAN  48 x 36


Saturday, February 19, 2011

ARRIVALS - FEBRUARY 19TH

 COMING SOON:  www.theMaxSpace.com
 


LADY THROUGH WINDOW
Rare lithoghraph dated 2009
Series 283/300. I framed it with UV glass... it's too nice.




Signed in 1992 beautiful artwork poster
Make every day, earth day.
It has some Love and peace objects, that I doubt
were attached by PETER, it's not his style.




Common Taylor Swift poster, the latest 2010 PM creation.

Thursday, February 10, 2011

SAM LEA´S HOMAGE TO PETER MAX AND THE COLLECTOR

SAM LEA, excellent new age,  Green,  expressionist artist,  has created a PETER MAX homage called the MAX COLLECTOR. I thank him for this superb and historic proposal that I feature below.

Check out SAM´s websites full of relevant info: 


eco Pop Artist™. Expression of nature thru pop art.





Wednesday, February 9, 2011

NEW ARRIVALS JANUARY 2011

 THE THREE LIBERTIES
Suite of three lithos 96/300, year 1980


THE MAGICAL MOMENT

 Exquisite representation of the Seventies MAX's signed papers
A 67/100 autographed year 1971. A real beauty. My favorite period.


THE YELLOW ZERO MAN

Hard to find, strange artwork, very unusual for MAX, this image
dated 1984 is a cherished piece of the collection. Numbered 8/200
dated circa 1984 and stamped with the STUDIO MAX seal.


ELECTRIC FUTURE MAN
A very exclusive litho by Peter

 

 It's good to have nice business acquaintances that provide
such important items as this one. This is perhaps one of my collection's
rare PETER MAX items.numbered 137/280, was done in 1979, 
period I consider one ofthe best of this AMERICAN artist.




GUARDIAN Ver.II

Front

1992 beautifully hand made with crayons and pencil, portrays a 
Sage with a Pyramid in the backdrop.

Back

PETER signed the paper in the back of this framed artwork, I took apart 
and updated it into an Acid free plexi backing and a Museum Glass frame.