Monday, June 18, 2012
PETER MAX STUDIO RELEASES A PAUL McCARTNEY HOMAGE
2012 PETER MAX SERIGRAPHS NEW ARRIVALS - SERIGRAPHS
The MAX COLLECTOR considers more valuable all PETER MAX's works previous to 1990, the one that has more historic than price value, hence we will concentrate on Serigraphs previous to 1980 as well as unique irreplaceable memorabilia, books, and uncommon artifacts.
HOUSE IN THE CLOUD 1971 - series 28/100, signed ZEN MAX 71. From the Cosmic Era.
HOUSE IN THE CLOUD 1971 - series 28/100, signed ZEN MAX 71. From the Cosmic Era.
A LONG TIME AGO 1978 series 85/250 signed MA. Evolution to more modern design
PRINCE CASPIAN OF NARNIA 1976 - series 151/300 with Circle gallery embossed seal, signed PETER MAX.
This Serigraph is particularly special. The colors, creativity and imagination, besides a perfect 11 x 14 ins high quality print paper.
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Thursday, June 14, 2012
JACKSON POLLOCK HOMAGE BY THE PM STUDIO
This is truly an excellent version of POLLOCK, The MAX STUDIO studio has scored another good one! PETER should be very proud.
FROM: https://www.facebook.com/photo.php?fbid=10151357610670166&set=a.143846440165.149153.97909445165&type=1&theater
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Monday, June 11, 2012
SOUTHLAKE STYLE MAGAZINES
This classy magazine not only has an excellent interview of PETER on their May 2012 issue (pages 26 through 33), but had the privilege of having the Studio produce a cover artwork for issue June 2012.
JUNE ISSUE - COVER ARTWORK By the PETER MAX studio
"A scene in Southlake"
"A scene in Southlake"
SOUTHLAKE STYLE ISSUE MAY 2012
Special 8 pages spread of Peter Max the artist,
Images and content from SOUTHLAKE Style magazines May and June 2012.
To request copies, please contact SOUTHLAKE STYLE Magazine
Thursday, May 31, 2012
JUXTAPOZ MAG MARCH 2003 ISSUE
Excellent 8 pages spread of PETER MAX artwork and text. The usual information but on a specialized quasi-underground Art magazine. 2003, Year of Bonanza, economic wealth, greed, eccentricity and power grab. Peter was still riding the wave of fame, and this magazine expresses the greatness of PETER's almost 40 years (at that moment) of career.
Then 66 YOA, now almost 75, His entourage knows that the business model must change, recession hits, the client must be caressed, go to him, invite him to exhibitions, the Cosmic era, perhaps his best, is gone, the cruise auctions can do so much, Galleries are on their own, now it's a new decade of Social Media Marketing. The sign of the times... below, pages 32 through 39 of JUXTAPOZ.
JUXTAPOZ MAGAZINE MARCH 2003
Wednesday, May 30, 2012
AUTHENTICATE YOUR PETER MAX CANVASES
Dear Visitors and collectors.
As a PETER MAX collector, honest citizen and an art lover,
I feel my civil duty to suggest to all collectors that have original
canvases from this artist....If you want to know more, drop me an e-mail.
The Max Collector
Tuesday, May 29, 2012
PETER MAX DJING ON THE STREETS OF NEW YORK
"I set up my portable DJ rig and legendary artist Peter Max dropped by
and threw on some Major Lazer and Avicii and got the party going nuts!!"
http://www.youtube.com/watch?v=uNk2ijGcics
PETER still has his moves! and New York is the best city for these street events. Good one....
Info from Google news alert.
Friday, April 20, 2012
ART ICON PETER MAX SEEKS BOYHOOD NANNY IN SHANGAI
Peter Max, a 74-year-old renowned artist
in the United States, is searching for a Shanghai "nanny" who took care
of him and taught him to draw pictures when he took shelter as a Jewish
refugee in the city some 65 years ago.
"When I was three years old, a
nine-year-old young girl came to my home in Shanghai as she was hired by
my mother to be my babysitter," said Max from New York during a video
conference held yesterday at the Shanghai Jewish Refugees Museum.
"My nanny was only six years older than
me, and I always treated her as a sister. I still remember how she held
my hands, drawing circles and circles on papers to teach me to draw
pictures," said Max.
The little girl had the techniques to teach him because her father was a painter, Max added.
Max was born in Berlin, Germany, in 1938
and was taken by his family to Shanghai to take shelter as refugees
from the Nazis two years later. Max left Shanghai in 1949, but he has
never forgotten the days he spent with his little nanny.
Max recalled that his nanny would take
him outside to draw under the sun and draw the sky full of stars at
night, which made him a "good artist" since he was a very young boy.
The nanny taught him to use multiple
colors to draw the sun, the sky and the moon, which helped him grow into
a world-famous artist noted for using bold and harmonious infusion of
color, particularly as a pop artist in the 1960s.
The Shanghai girl would throw away the
paintings after the boy finished and ask him to draw another one so he
could develop his skills, Max recalled.
"But unfortunately I can't find even one
of her pictures in the albums and I didn't know her name," said Max. "I
always called her 'Umba' but I don't know whether it was her real name
or just a nickname. If she is still alive, she should be over 80."
He said he used to live on "Tangshan
Road" in Shanghai, a road on which an Indian temple and a Chinese temple
were located on the two sides.
Officials with the Shanghai Jewish
Refugees Museum said they would help the artist try to find his nanny.
They are starting to look for a woman called Weng Bo on Zhoushan Road,
and Max said he would visit Shanghai in October to look for his nanny
and hold an art exhibition.
Max was among 30,000 Jewish refugees who
fled to the city from their homelands from 1933-1941. About 18,000 of
them settled in the "designated area for stateless refugees" in the
city's Tilanqiao area in Hongkou District to live with local residents.
Dubbed a cultural icon in the US, Max
has painted many portraits for celebrities in music, sports and
politics. In the conference, he displayed portraits for US President
Barack Obama.
SOURCE: Shanghai Daily, April 20, 2012
Other images (the Max Collector files):
Wednesday, April 11, 2012
PETER AND THE ENVIRONMENT PRESENTATION - CHARLESTON
11 April 2012
PRESERVE THE ENVIRONMENT 1974 PETER MAX
Peter Max, will be appearing in Hilton Head and Charleston in support of an exhibition of his extraordinary art collection Friday and Saturday, April 27th and April 28th, 2012. This will be Karis Art & Design Gallery’s premier presentation of the Artists’ work, and one of many important exhibitions presented by the gallery. The exhibition also coincides with the celebration of Earth Day 2012, which falls on April 22nd. Since the 1960’s, artist Peter Max has been a champion for the green movement. He has produced posters for Earth Day (including the 20th Anniversary poster), Greenpeace, the Peace Corps, the U.N. Earth Summit, The Dolphin Project, the Rainforest Foundation, SustainCommWorld, Eat Right America, and numerous other causes that support ecology, nutrition, human and animal rights, and global peace summits.
Max was the first major artist to draw public attention to environmental concerns with his 1974 U.S. postage stamp, “Preserve the Environment.” Subsequently, he created a series of 12 postage stamps for each of three United Nations’ Earth Summits.
Both the Charleston and the Hilton Head, South Carolina presentations and Artist Appearances will contain important Earth Day artwork; on exhibition and available for acquisition.
PRESS AND MEDIA INQUIRIES
PLEASE CONTACT:
Allison Zucker-Perelman
Relevant Communications
allison@relevantcommunications.net
(o) 561.715.9525 (DD) For All Press Inquiries & Press Call DD
(o) 561.482.2088
(f) 561.482.3959
PLEASE CONTACT:
Allison Zucker-Perelman
Relevant Communications
allison@relevantcommunications.net
(o) 561.715.9525 (DD) For All Press Inquiries & Press Call DD
(o) 561.482.2088
(f) 561.482.3959
From the Max Collector's pieces (no included in the exhibition/not for sale):
PETER MAX A SCHLOCK? PUBLIC REPLY
FROM: Reflections on Thomas Kinkade, "Painter of Light" and Accidental Avant-Gardist
DATE: April 10th, 2012
Dear Mr. Davis.
Don't you think that defining PETER MAX as a "schlock" is perhaps a bit too harsh?.
Obviously, art has an intrinsic code for professionals of the industry, and different techniques have diverse levels of skill and difficulty, that I do understand, but chastising PETER MAX as cheap and trashy, is staining more than 50 years of American history and the personal taste and selection of huge amount of people all over the world that seem to love his artwork.
Perhaps, Mr. MAX has become a little too commercial, I might grant that, but some credit must be given to him, since for some reason he has been around for a while, and is still working and selling his pieces, which also makes him a great Marketeer. Finally, I opine that art is like religion, to discuss about it is pointless and yet billions of human beings follow it in a different shape or form and what for you is tacky, for me can be a pleasure to the eyes and a nostalgia filled artwork.
Finally, I think that the adjective you used is harsh and offensive to many of us collectors or owners of Max's pieces, and I am sure same thing could be expressed for Mr. Kinkaide's, or the extravagant and sometimes overboard and "schlock" Mr. Dali , yet he is universally revered as one of the greatest.
Sincerely,
Ed Gugliotta
Miami
www.themaxcollector.com
Dear Mr. Davis.
Don't you think that defining PETER MAX as a "schlock" is perhaps a bit too harsh?.
Obviously, art has an intrinsic code for professionals of the industry, and different techniques have diverse levels of skill and difficulty, that I do understand, but chastising PETER MAX as cheap and trashy, is staining more than 50 years of American history and the personal taste and selection of huge amount of people all over the world that seem to love his artwork.
Perhaps, Mr. MAX has become a little too commercial, I might grant that, but some credit must be given to him, since for some reason he has been around for a while, and is still working and selling his pieces, which also makes him a great Marketeer. Finally, I opine that art is like religion, to discuss about it is pointless and yet billions of human beings follow it in a different shape or form and what for you is tacky, for me can be a pleasure to the eyes and a nostalgia filled artwork.
Finally, I think that the adjective you used is harsh and offensive to many of us collectors or owners of Max's pieces, and I am sure same thing could be expressed for Mr. Kinkaide's, or the extravagant and sometimes overboard and "schlock" Mr. Dali , yet he is universally revered as one of the greatest.
Sincerely,
Ed Gugliotta
Miami
www.themaxcollector.com
Wednesday, April 4, 2012
ARTIST PETER MAX TO SELECT WINNER OF ECOFEST NYC
Sunday, April 1, 2012
THE FAMOUS COOKIE JAR
The Peter Max Cookie Jar based on the ZERO man, is a very elusive antique object. Not easy to find, and quite expensive for what it really is. Peter stopped franchising objects at the end of the Eighties, and the Max Collector proudly owns a huge assortment of these unique items that with time, have been disappearing.
Saturday, March 31, 2012
HOMAGE TO PETER MAX by.... Me!
Boredom is the father of creations, and I am bored stiff, so I decided to do some Patriotic Homage Digi-Art lithos for my personal enjoyment and for my grand-children.
Image of PETER MAX by Pina di Cola 1991, diapos and prints of the Max Collector
Paint on background: FLAG WITH HEART 30 x 40 original acrylic on canvas from my private collection
When I started this personal creation/collection I was truly surprised of how many relevant personalities the United States has offered to the world, be it in Sports, music, inventions, social changes and also how many important events have happened with America directly involved, take for instance September 11, the Enterprise carrier last trip this year 2012, the Shuttle program, the color TV by RCA, the 1953 Corvette... and I am only starting.
Sunday, March 11, 2012
PETER MAX 1964 GRAPHICS POSTED ON BLOG
Under the Title of WELCOME TO THE WORK OF LOVE, I found this amazing and very exclusive Blog posted yesterday.
It has a series of very initial Peter Max graphic works that I feel they should be seen by all collectors and followers of PETER.
The author, I believe is Adams Morioka. The text is the following:
"I was pulling together some postings from this blog yesterday for a book Steven Heller is writing. This led me to discover a predominance of posts about counter-culture in the 1960s. Who knew? I’m really square, so I found this odd. Nevertheless, I decided to avoid posts in this vein for a while. Then I found this Call for Entries for the New York Art Directors Club (now the Art Directors Club). Peter Max designed it in 1964. Yes, this is about counter-culture, specifically the psychedelic experience. The collage device refers to Victorian decoupage, Picasso, Matisse, and the Dada movement. The booklet could fall into the trap that much of today’s “collage” approach does, a mishigas of more mishigas.
The strict use of typography and tight composition, however, give it gravity and allows the imagery to take center stage. The spread with the Victorian people looking at the psychedelic cloud is remarkable. It is such a simple juxtaposition, but alludes to so many issues, including the Victorian taste for psychotropic drugs such as opium (see Lewis Carroll’s Alice’s Adventures in Wonderland). Allusions aside, the composition is about wonder and different perspectives. So, you see, I had to post another one about counter-culture."
Among other images, these are my favorite, I believe all from the same period and obtained from the ART DIRECTOR CLUB, New York. Peter initiated his career as Illustrator and opened his first studio in 1962, and won a Society of Illustrators NYC award in 1964:
All credits above
Friday, March 9, 2012
PETER MAX: OTHER PERSPECTIVES
SELF PORTRAIT 2002
To people of a certain age, the name Peter Max means something. Back in the mid-1960s, Max’s fame was such that he was getting credit for things he didn’t do. When the Beatles’ Yellow Submarine, the movie, came out, Max’s influence was such that people automatically credited him with the neon-lighted animation of the film.
“I didn’t do that film,” Max asserted last week. “I was initially approached to do it, but I didn’t hear back from them [the producers] for about two and a half years. By that time, I was so busy doing other things; I didn’t have time for it.”
Max said he recommended they get in touch with Heinz Edelmann, and Edelmann got the job. But the general assumption that Max designed the art for the film persisted and is frequently “debunked” by people who write about such things, often with a vociferous dismissal of Peter Max, as if he made the claim himself.
It’s hard to imagine Max needing to take credit for the movie. By the time the movie came and went, Max had become the best selling artist in the world, with millions of his DayGlo-colored posters adorning dorm rooms, head shops and coffee shops all over the world. At the height of his fame, Max was featured on the cover of Life magazine and had contracts with 72 separate corporations to produce graphics, logos and designs for clothing, mugs, cards and other objects.
“In my teens, I remember having a pair of Peter Max sneakers,” said Dore Page, a graphic artist and printer in Warwick. “I thought it was amazing that an artist could be that well known like the Beatles. There was a model for me; it made me think, ‘you can do this. You can be an artist and make money.’ He encouraged a lot of kids to get into art. Not all had the success he did, but it showed me it could be done.”
Peter Max was born in Berlin in 1937, but his family moved to China the next year and ultimately settled in Brooklyn. Max studied at the Art Students League, the Pratt Institute and the School of Visual Arts, all in New York. After closing his design studio in 1964, Peter began creating his characteristic paintings and graphic prints, which he continues to create in his New York studio.
“I have about 50 people who work for me, and I am busy all the time,” said the 74-years-old.
But for most, Max will continue to be associated with the psychedelic hippie era of the 1960s and 1970s. Although not quite acquiring the cultural patina and astronomical auction prices of artists like Andy Warhol, Roy Liechtenstein or Robert Rauschenberg, people continue to value Max’s work, even though quite a few people think there is too much of Max’s art on the market.
CREDIT or Read more: Warwick Beacon - Flashback to Peter Max
NOTE: the Max Collector does not necessarily share some of this review's content, but we believe in freedom of speech.
Tuesday, March 6, 2012
PETER MAX NAILS, NOW THIS IS AWESOME!
In my daily research on PETER, I found this bizarre nail work. It´s fantastic, and each nail has a PM motif mostly oriented on the DIFFERENT DRUMMER. the artist is Naomi Yasuda from NYC.
Peter Max #nailart (Taken with instagram)
(via fuckyeahnailart)
Thursday, March 1, 2012
MY VERY UNIQUE INTERVENED STATUE OF LIBERTY statuette
This I believe it's one of a kind, or at least, I haven't seen any other online nor in galleries.
It's 18 inches high and completely hand painted by PETER from an original Souvenir Store green statue. The Fabric bottom protector is signed 1990 MAX.
and next to my 40 x40 " original canvas of the Liberty head.
UNIQUE MAGAZINES 1
NEW LIFE magazine
This magazine was published bi-monthly and is available in New York City. New Life is "a guide to healthy living in a new age". In 2001/2002 they issued a special series featuring each of the Beatles on the cover and a Peter Max poster inside. The cover portrait and poster are both by famed sixties artist Peter Max
1996 SECONDS, underground magazine with a 6 pages spread of PM
Abstract printed poster of MICK JAGGER, ripped from a magazine (unknown)
This is a real relic! TIME magazine June 27, 1969
It's a real flashback to the Sixties... the ads, the content, the quality
of the paper and the print.
Another TIME mag, this one 1976 with Paul McCartney cover
A Jewish magazine, Farbrengen, representation
of PM's birth religion
VEGnews magazine, Anniversary issue August 2010
with special interview of PM. They also had the same issue with the
PM cover artwork and a more thorough interview.
Very special OPERA NEWS magazine, January 1963.
Living proof the PM not only did Psychedelic images.
AUSTIN LIFESTYLE September 2010 issue with
PM cover artwork featuring Willie Nelson.
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